“To build a land; an imaginary home. To push the limits of real and unreal, memory and imagination, locality and universality, self censorship and self- exile, time and space. To put together my most vivid memories on flat planes or 3D cubes. Inside and outside the empty rooms, rooms without bodies, rooms left behind. To construct the remembered, missed, identical objects. Things I care for,love the most, miss the most… To put together every five sense of my body into one (“sight”) through text and animation. A reflection and presentation of emotional attachments. Collective and personal.”
Morehshin is a very talented artist who I met at my stay at Denton during my residency last year.
From her site: Morehshin Allahyari is a new media artist and an art activist. She was born and raised in Iran and moved to the United States in 2007. Her creative and research interest encompasses 3D animation, digital filmmaking, web-art / design, performance and extensive activity as a curator and producer. The topics of her practice include the social, political and cultural issues of Iran, creative writing, art activism, media art, and collaborative art. Morehshin’s animated films and curatorial projects have received world wide acclaim. She has been part of exhibitions, festivals, and conferences in Tehran, Denver, Dallas (Dallas Biennale + oliver Francis Gallery), Chicago, New York, Germany (The 7th Berlin International Directors Lounge (Berlin) + 25th European Media Art Festival (Osnabrück), Virginia (The Taubman Museum of Art), San Francisco, Denton (University of North Texas), Portland, Ohio, Brazil, Sweden, Romania (Arad art Museum), Netherlands, and Canada.